Fantasy can make power visible: who is permitted to wield it, who pays for it, and who gets written out of its history.
Hadeer Elsbai is an Egyptian-American writer and librarian whose adult fantasy draws on modern Egyptian history, feminist movements, elemental magic, and sapphic romance.
Her debut, The Daughters of Izdihar, opened the Alamaxa Duology in 2023. The Weavers of Alamaxa completed the two-book arc in 2024. Published by Orbit, Elsbai has quickly established a compact body of work with a strong political and historical imagination.
We ask every featured author the same set, so the archive is comparable.
How did you start writing?
Libraries made me a reader first. Writing followed from wanting to rearrange the histories, arguments, and magic I kept finding on those shelves.
Which publishing path did you take, and why?
I took the traditional route because the books needed ambitious editorial development and a publisher able to bring a new fantasy world to a wide audience.
What was the hardest lesson?
Political ideas have to emerge through character choices. The moment everyone becomes a spokesperson, the imagined world stops breathing.
What does your working setup look like?
I draft from a flexible outline and keep historical notes close, but the emotional logic of a scene gets the final say.
What marketing actually worked?
Booksellers, librarians, and enthusiastic word of mouth have been the durable bridge between the series and its readers.
What would you tell a first-timer?
Research deeply, then give yourself permission to invent. Historical inspiration is a foundation, not a cage.